Review: War Horse

February 22, 2012, 2:16 pm
SHARE THIS POST
Print Article


war-horse-movie-image-jeremy-irvine-01.jpg

Expectations, whether we choose to acknowledge them or make believe we're above them, we all carry them into our seats at the multiplex. Everyone wants a winner. Why else would you plunk down twelve bucks and commit two hours of your life to the effort? 

When the name Steven Spielberg is attached to a project, those expectations are naturally monstrous. This is the man that taught us the waters off Long Island feature more than mackerel, Indiana isn't just the 19th state and ticking off a psychopathic truck driver can result in colossal carnage. 

With Spielberg in charge of War Horse - the classic children's book and hugely successful stage show - nothing short of a masterpiece was the expectation. And while Spielberg certainly delivered an epic, its epic length is the one thing you're guaranteed to take from the experience. 
                                                                                                                                                   
Set on the eve of World War I in a gloriously picturesque southwest England (ready the cinematography Oscar), War Horse is the story of a boy, Albert Narracott (Jeremy Irvine, a dead-ringer for a young Tom Brady) and his beloved pet horse Joey - AKA Lassie with a saddle. With the war commencing, Joey is sold off to the British calvary to pay past due bills by Albert's father, Ted (Peter Mullan), a tortured soul courtesy of his own experiences with battle. 

Thus begins Joey the horse's agonizingly tedious odyssey across the landscape of France and the teetering on melodramatic meetings with those affected by the warfare. The scope of the battle scenes is exactly what you'd expect from Spielberg - sensationally sweeping. From the charge of hundreds of horses on German command to the bombardment of British positions in what could serve as one of the Battles of the Marne, War Horse drops you right in the middle of war in vividly visceral fashion. 

It's the melodramaticism that lessens the impact of the events; a horse bound in barbed wire creating a cease fire? It may have worked on the page and stage but on screen it comes off as well, corny.

While Spielberg has clearly given his all to bring the book to life, War Horse as a story is too melodramatically flawed to allow for the emotional reaction Spielberg makes every effort to evoke. 

It's a 30-minutes too long, wannabe classic that will ultimately be shelved in the works of Spielberg ahead of War of the Worlds but well behind Saving Private Ryan.

Grade: C+

Tags:
COMMENTS
weber.jpg
It was many moons ago in a darkened theater that my love of cinema took root as I snuck in to see my first R-rated film, Blade Runner. The futuristic vision that Ridley Scott unleashed on the screen was simply soul-expanding — spiritual even. From that moment, my mission to have that kind of magic strike again began in earnest. My hope is to be able to shine a light on films that may just have that kind of effect on you — films that may be lesser known, but not lesser in impact. 
             
- Erick Weber

Final Cut Scoring System
99-95% Opening night
94-90% Opening weekend
89-86% In theaters
85-83% On Demand
82-80% Netflix/Redbox
79-75% If desperate
74-70% If dozing off
69-65% If intoxicated
64-60% If comatose
Below 60% If brain dead

Erick's reviews
 photo d9e8e0b9-b100-4b71-b92e-582eb96975e1_zpsb92eaab7.jpg
Photobucket

Jeremiah Oliver of Fitchburg, Mass. has been missing since September
Sean Collier was killed 1 year ago when he was sitting in his cruiser, allegedly by the Boston Marathon bombing suspects
Dan Marcotte, who was flying plane, is well-known aerobatic stunt performer