Review: G.I. Joe: Retaliation

March 29, 2013, 7:46 am
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In their long and illustrious 3 3/4 inch, swivel-armed, battle-gripped careers, the G.I Joe crew has never faced a more formidable mission than the one to rescue their celluoid souls.

After their utterly forgettable 2009 big screen debut, the Joes needed a moment to regroup - refocus - on the task at hand: Saving their cinematic asses.

With the onset of G.I. Joe: Retaliation, I can safely declare: Mission mostly accomplished.

Picking up where its frenetic mess of a predecessor wrapped up, we find the Joes going all Zero Dark Thirty with an extract-a-nuclear-warhead raid in Pakistan. Several Joes from Cobra's last "rise": Ripcord, Scarlett and Heavy Duty are out, new recruits: Roadblock (The Rock), Lady Jaye (Adrianne Palicki) and Flint (D.J. Cotrona) in.

(Fair warning Channing Tatum fans: Duke's back as well, but it's no accident dude's on the very edge of the promo posters.)

With Cobra's resident chameleon, Zartan, masking as the president (a devilishly-delightful Jonathan Pryce), the Joes' keeping-the-globe-safe-from-Cobra marching orders are shredded with the elite fighting force slashed to a quartet, led by the current WWE belt holder.

While he's by no means the most polished thespian on the planet, The Rock's addition is key to the substantial uptick in entertainment value this go around. The cartoonishly-swoll, sponsored-by-Under Armour, part-time pro wrestler was born to wield a gun the size of a canon and deadpan lines like: "Damn ninjas".

And speaking of ninjas, the still-speechless Snake Eyes is the centerpiece of director John M. Chu's (Step Up 2 and 3) stunning signature scene, ziplining down the Himalayas with a horde of star-throwing assassins on Eyes' Johnny Cash-uniformed tail. It's Cirque du Soleil: Snake Eyes, even if the film's 3D - which was added during the nine-month release delay - is largely flat and frankly, pointless.

Cobra's ninja, Storm Shadow, gets a solid chunk of the tale, with Byung-hun Lee shining as the samurai sword-swinging shinobi. I could easily see Lee headlining his own project – and soon.

Bruce Willis shows up late in the game, doing John McClane minus the yippee-ki-yay as the "world's first Joe", owner of an ungodly arsenal of munitions. Watching the Joes rifle through Willis' suburban home, uncovering all manner of weaponry is cringe-worthy in the wake of the Newtown tragedy.

It's straight gun glorification that Hollywood needs to rethink at some point in the very near future.

Political statements aside, G.I. Joe: Retaliation is precisely what you want it to be, an action flick that administers exhilaration without a Michael Bay level of enervation. Is it absurd at times? Child please.

My fave moment of ridiculousness: The Joes inability to quickly determine it's Zartan who's encased in the president's skin. You'd think the imposter's secret service detail sporting Cobra lapel pins would eliminate any confusion.

Final Cut Score: 85%


It was many moons ago in a darkened theater that my love of cinema took root as I snuck in to see my first R-rated film, Blade Runner. The futuristic vision that Ridley Scott unleashed on the screen was simply soul-expanding — spiritual even. From that moment, my mission to have that kind of magic strike again began in earnest. My hope is to be able to shine a light on films that may just have that kind of effect on you — films that may be lesser known, but not lesser in impact. 
- Erick Weber

Final Cut Scoring System
99-95% Opening night
94-90% Opening weekend
89-86% In theaters
85-83% On Demand
82-80% Netflix/Redbox
79-75% If desperate
74-70% If dozing off
69-65% If intoxicated
64-60% If comatose
Below 60% If brain dead

Erick's reviews
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